Quick-rising artist Aidan Bissett dissects a younger relationship together with his enjoyable, fiery and heartfelt debut EP, ‘I’m Alright If You’re OK.’
Stream: ‘I’m Alright If You’re Okay’ – Aidan Bissett
Passionate and weak, with an acute consideration to element, rising star Aidan Bissett debuts a enjoyable, fiery and heart-turning EP, I’m Alright if You’re OK (launched October 7, 2022 through Capitol Information). The success of single “Tripping Over Air” units the tone for an equally spectacular roster of songs on Bissett’s EP.

I hear you speaking in your sleep once more
You’re holding onto one thing actual
Can’t get sufficient of what’s been in your head
Our secret’s out and I’m feeling this
Is there one thing in your thoughts ’trigger
You’re the one factor on mine, love
Wanna let you know on a regular basis however
I do know she likes boys that play guitar
Tattooed arms and a beat up automobile
I do know she’s gonna break my coronary heart
I do know she likes me after I play it cool
I can’t assist it, I hate the principles
I do know she’s gonna break my coronary heart…
– “Tripping Over Air,” Aidan Bissett
From a basic rock second that seeps right into a 2022 indie rock really feel with “All That I’m Craving” to the catchy cadences of “I Can’t Be Your Good friend” Bissett is ready to showcase a large breadth of not solely musical, however immense vocal means and management. “A Music for Her”, a standout on the EP, tilts in direction of Bissett’s weak facet, which he isn’t shy to share – permitting him to create a tune that musically really emotes together with its lyrics. And at last, “Twenty One thing” serves an ideal nearer to the EP; Bissett’s care and craft for the story he’s telling in I’m Alright if You’re OK is obvious all through this evocative finale:
Name me once you want a shoulder
Inform me that you just’re comin’ over (comin’ over)
Stayin’ up in mattress, rattling, the way it’s 3 a.m.?
You are available nearer, I say, “Take it slower”
You recognize I actually love that we will speak this manner
I wanna say an excessive amount of, but it’s too quickly to say
I solely such as you once you take a look at me
I solely such as you once you blink and breathe
However love’s an training, let’s wait ’til commencement
You bought hearts try to be breaking
Errors try to be making
Oh, however each time you take a look at me
I wanna let you know all the way in which I really feel
But when we acquired collectively we’d f*** it up forevеr
So I’m not saying nothing
Till we’re 20 somеthing…
– “Twenty One thing,” Aidan Bissett
Atwood Journal caught up with Aidan Bissett recent off his tour opening for The Greeting Committee. Dive in under for a dialogue on his EP, touring, working with various icons like COIN’s Chase Lawrence, and what’s subsequent for the younger rising star!
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A CONVERSATION WITH AIDAN BISSETT
Atwood Journal: Diving proper in, “All That I’m Craving” has kind of a basic rock really feel at first with the quick guitar chords and the way in which you sing it, after which the refrain form of explodes and takes it in a brand new route and I really like that. Inform me about this one.
Aidan Bissett: We have been referencing Two Door Cinema Membership with these excessive chords that are form of bizarre, however tremendous enjoyable. Andrew Wells was the producer on this one. I used to be writing within the room with him which was superior. He’s so proficient relating to – I imply he’s proficient typically – he’s actually nice on the guitar. Normally that’s what I drive in classes, a number of guitar and the producer form of focuses on the manufacturing. That was the primary session I ever did with Andrew and he was like yeah let me simply rip the guitar actual fast, and I used to be like, “Oh, wow superb!” He pulled out these chords and I assumed they have been so sick. The primary melody that got here to thoughts was really the post-chorus and the second verse and the final refrain. He begins singing ,
Take your time, I’m used to a waitlist
It flowed so rapidly from there. It was one of many quickest songs I really feel like I ever wrote. I had simply began seeing this woman and it was about that honeymoon part. So enjoyable and candy.
All that you just’re craving, proper?
Aidan Bissett: Yeah, precisely. Vocal and tone clever, for some purpose each time I’m with Andrew I attempt to channel Brandon Flowers or Alex Turner as a result of the way in which he processes my vocals works so nicely for that. It’s so enjoyable to dabble in that low register.
“I Can’t Be Your Good friend” is so enjoyable. It’s completely different in tone, however nonetheless feels as if it’s part of the EP. I really like verse two, inform me about crafting that verse and that tune typically.
Aidan Bissett: Engaged on this tune was a dream come true for me as a result of I set to work with Chase Lawrence from COIN.
Wow! You set to work with a number of cool individuals for this.
Aidan Bissett: Yeah, I struck a number of gold for some purpose. We began that tune a 12 months in the past earlier than I moved to LA. He DM’d me on Instagram randomly. I used to be already an enormous fan of COIN. I keep in mind waking as much as the DM and pondering how loopy it was. He stated he liked what I used to be doing and needed to hop on a Zoom session and I used to be like, “Um, yeah – sounds nice.”
“I Can’t Be Your Good friend” was the primary thought we had. I acquired fortunate. Zoom classes may be actually bizarre since you’re not in the identical room. I needed to ensure I made a very good first impression so he’d need to work collectively once more. That was the very first thing we did and we simply clicked very well and ended up producing the demo. It form of sat for some time – we did the primary verse and the refrain. We had the demo for a very long time as a result of he went on an enormous tour and needed to be centered on that.
I keep in mind he would textual content me on tour and be like, “Dude we gotta end this tune.” I advised him I used to be engaged on the EP and I needed the tune to be part of it, and he was in to do it. We spent three days getting the vocals proper. The one factor about Chase, which I respect a lot – he’s so explicit relating to imaginative and prescient and the way in which issues sound. So it was 3 days of vocal intonations, vowel sounds and supply. It was very tedious but it surely paid off as a result of it’s such a cool sound. He has such a particular manner of doing vocals like in that second verse:
You sweep my hand, I’ll chunk my tongue
And the way in which I say tongue – it’s meant to tug you in. He has so many cool concepts relating to that stuff. I simply let him drive and took each notice that he had as a result of clearly he’s very proficient. It was a very cool studying expertise for me to discover ways to have clear imaginative and prescient relating to that stuff.
That’s so fascinating. It comes by means of within the tune – the eye to element. So, “Tripping Over Air” – this tune has been big for you, and for good purpose!
Aidan Bissett: Yeah, no I respect that. It’s a enjoyable tune. I began that in my house studio, recorded the primary verse and thought it was sick. The primary verse already felt like a hook of kinds?
Yeah – it’s speedy.
Aidan Bissett: Yeah, and so after I did that I despatched it to the Captain Cuts guys who I did “Twenty One thing” with, and I used to be like, we gotta make this right into a full tune, they usually agreed. We dove into it and it become what it’s now and we have been all so stoked once we got here out of that session. That is it.

You have been proper, so good. You’re capable of showcase one other facet of your voice in “A Music for Her.” Inform me a bit about it, from the lyrics to the manufacturing it is so completely different and superb. I really like the violins on the finish.
Aidan Bissett: Yeah. The entire EP was over this little 3 to 4 month relationship that I had. It was the belief of why I used to be entering into these quick time period relationships and why they have been crashing and burning. This tune was written on the crash and burn half. I used to be actually unhappy about it. It was a blindside that I wasn’t anticipating. I keep in mind waking up one morning, rolling away from bed and recording a voice memo saying that I actually need to do a tune the place if we took the entire lyrics away the listener would nonetheless be capable of perceive the emotion and ache by means of devices and manufacturing. In order that’s the way it first began. I introduced it to my good friend Aaron who goes by apob. He’s actually good with intricate and peculiar left subject stuff and that’s what this tune felt like. I hadn’t performed something prefer it earlier than and I knew I needed strings and a bunch of bizarre shit. We spent three days discovering these strings. I don’t suppose I’ve ever been so tedious on manufacturing as a result of we didn’t have entry to actual strings and I needed every part to sound so extremely actual.
They sound very actual.
Aidan Bissett: And that was the product of like 13 hours sitting in a chair not transferring and fine-tuning ranges and all that stuff. Aaron was so good about bringing out feelings and metaphors all through that tune. Every thing was a spool and now it’s unwinding, which is the way it feels when all you possibly can take into consideration is that this one individual and now they’re gone. It’s like all you need to do is scream and that’s what the refrain is – it’s principally simply me screaming.
So, yeah that tune is de facto particular to me. I all the time get nervous enjoying that tune as a result of it’s so completely different and I by no means know the way persons are going to react.
However I wager individuals find it irresistible.
Aidan Bissett: Yeah, individuals ended up actually liking it which is cool. It was simply eye opening. I would like to have the ability to do extra of that.

You positively ought to. Lastly, “Twenty One thing” – I really feel like this can be a excellent nearer for the EP. “If we acquired collectively, we’d f*** it up without end” is such a mindset of falling in love once you’re younger.
Aidan Bissett: That tune was the wrap up of every part. For the connection – it wasn’t the fitting time. Possibly if it was one other time it could’ve labored out. I’m nonetheless younger and I really feel like everybody I get entangled with can be younger. We’re all figuring shit out. Relationships aren’t all the time going to work out. That’s a actuality and accepting that’s a part of life and that’s form of what the tune was – me coming to phrases with the truth that relationships aren’t going to be the simplest proper now so possibly simply exit and have enjoyable with life and meet individuals and be a standard younger grownup.
That tune was so fascinating. We spent like 5 months engaged on it as a result of we couldn’t work out a verse. We had like 15 completely different verses and we couldn’t work out what we needed it to sound like. We knew the refrain was tremendous sick, however very glad the way it turned out. It has Sugar Ray facets, and I do know some individuals don’t love Sugar Ray.
Everybody secretly loves Sugar Ray.
Aidan Bissett: Precisely, everybody is aware of that one tune – don’t faux you don’t prefer it.

One last query: What’s been your favourite tune on tour?
Aidan Bissett: I really like enjoying “Grocery Retailer Woman” as a result of there’s a big refrain on the finish the place me and Grant, my lead guitar participant, get to only play guitar and run round stage and I inform everybody to mosh, so everyone seems to be leaping round and it’s so loud. It’s only a enjoyable tune – everybody has a good time.
That’s superb! I hope to see that stay from you quickly. Thanks a lot on your time, can’t wait to see what you do subsequent.
Aidan Bissett: Thanks!
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